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Come Home With Me

Genre: Rock

Composer: Miller


Come Home With Me		Unknown

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Show Track Metadata

ALBUM_ID	7963
TRACK_NAME	Come Home With Me
COMPOSER	Miller
TRACK_NUMBER	14
RUN_TIME
TRACK_ID	778816
ALBUM_TITLE	Big Shot Chronicles
ARTIST_NAME	Game Theory
SEARCH_NAME	Game Theory
RATED	8
GENRE_DESCRIPTION	Rock
FLAGS
SPIRALFROG_AVAILABLE
OFFICAL_LENGTH
SITE_REVIEW	Scott Miller broke in a new Game Theory lineup on The Big Shot Chronicles (a revolving-door cast of musicians was something he would get used to over the next decade or so), and if the album lacks the narrative cohesion of the group's first full-length effort, Real Nighttime, it's obvious from the album's first cut that the addition of Shelley LaFrenier on keyboards, Suzi Ziegler on bass, and Gil Ray on drums made Game Theory a stronger band in every respect. While Game Theory's attempts to rock out on Real Nighttime sometimes sounded a bit tentative, The Big Shot Chronicles reveals a band that's equally adept at flexing their muscles ("I've Tried Subtlety" and "Make Any Vows") or easing into a song's subtleties ("Regenisraen" and "Like a Girl Jesus"). As a songwriter, Scott Miller continued to grow ("Erica's Word" and "Don't Look Too Closely" are both smart pop heaven on Earth), and while he's fond of referring to his voice as a "miserable whine," he sure knows how to make it communicate. Finally, Mitch Easter's production guides the record through moody neo-psychedelia and up-tempo hard pop with an equally sure hand; the record sounds just as good as the band plays. A superb set from one of the best (and most underappreciated) bands of the 1980s. ~ Mark Deming, All Music Guide
ARTIST_ID	4335
UPC
ISRC
VOLUME
SIZE_OF_FILE
ASSOCIATEDISRC
LABEL
LABEL_GROUP
Genre
ExplicitLyrics

media	label
CD	Alias
CD	Alias
CS	Capitol
LP	Enigma
CS	Enigma

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Come Home With Me

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