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Honey's Dead by The Jesus and Mary Chain

I Can't Get Enough

Genre: Rock

Composer: Reid/Reid


I Can't Get Enough		2:56

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Show Track Metadata

ALBUM_ID	55077
TRACK_NAME	I Can't Get Enough
COMPOSER	Reid/Reid
TRACK_NUMBER	10
RUN_TIME	2:56
TRACK_ID	4798729
ALBUM_TITLE	Honey's Dead
ARTIST_NAME	The Jesus and Mary Chain
SEARCH_NAME	Jesus and Mary Chain
RATED	8
GENRE_DESCRIPTION	Rock
FLAGS
SPIRALFROG_AVAILABLE
OFFICAL_LENGTH
SITE_REVIEW	Again working with Alan Moulder but now also using a live drummer on most tracks -- namely Monti from Curve, one of the Mary Chain's many descendants -- the Reids came back strong with Honey's Dead, on balance a more consistent and satisfying record than Automatic. There's a sense of greater creativity with the arrangements, while the balance between blasting static rampage and precise, almost clinical delivery is the finest yet, making the album as a whole the best straight-through listen since Psychocandy. Monti's drumming finally replaces Bobby Gillespie's properly; he's a much more talented musician than the Primal Scream overlord, using the warped funk hits familiar from Curve's work to the Mary Chain's advantage. Even the drum machine-driven cuts work better than before, especially the brilliant, coruscating opener, "Reverence." Burning with some of the best nails-on-chalkboard feedback the band had yet recorded, combined with a whipsmart sharp breakbeat, all it took was the finishing touch of Jim Reid's sneering lines like "I wanna die like Jesus Christ" to make it another stone-cold classic single from the band. Other winners include "Sugar Ray," with beats and melody so immediate and addictive the track was actually used for a beer commercial, of all things, and the steady slap and crunch of "Good for My Soul." If there's a danger in Honey's Dead, it's that the near bottomless pit of reworked melodies and lyrics had almost reached its end -- even the final track, "Frequency," combines both "Reverence" itself with the Modern Lovers' "Roadrunner" -- which made the stylistic shift on Stoned & Dethroned a logical follow-up. William and Jim Reid split all the vocals almost evenly, the former especially shining on the nearly gentle "Almost Gold," the closest the record comes to a sweet ballad. ~ Ned Raggett, All Music Guide
ARTIST_ID	4609
UPC
ISRC
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SIZE_OF_FILE
ASSOCIATEDISRC
LABEL
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ExplicitLyrics

media	label
	Blanco y Negro/Def American
CD	Blanco y Negro/Def American
CD	Blanco y Negro/Def American
CD	Blanco y Negro/Def American
CS	Blanco y Negro/Def American
CD	Blanco Y Negro/Rhino
CD	Rhino
CD	WEA Japan

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