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Laid by James

Five-O

James

Album: Laid

Genre: Rock

Composer: James

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5:25

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Show Track Metadata
ALBUM_ID188445
TRACK_NAMEFive-O
COMPOSERJames
TRACK_NUMBER6
RUN_TIME5:25
TRACK_ID2634541
ALBUM_TITLELaid
ARTIST_NAMEJames
SEARCH_NAMEJames
RATED8
GENRE_DESCRIPTIONRock
FLAGSL
SPIRALFROG_AVAILABLEYes
OFFICAL_LENGTH0:05:26
SITE_REVIEWAfter having become superstars in the U.K. with songs like "Sit Down" and then undergone an acoustic American tour opening for Neil Young, James took a consciously quieter, subtler turn with its follow-up to Seven, Laid. This turned out not merely to be a nice way to undercut expectations, but a creative benchmark for the group, arguably its artistic peak. While there had always been a folky, rushed element to the band's work in its earliest days, the now-sextet, following the departure of trumpet Andy Diagram to concentrate on the Spaceheads, here focused instead on understated, moody compositions. Part of this approach no doubt had something to do with Brian Eno's production work, and certainly it's another feather in his cap. While his work with U2 combined with James' own seeming assumption of that band's throne in big rock terms could have resulted in The Joshua Tree redux, that didn't prove to be the case. Admittedly, a couple of songs are specifically aimed at arena-level singalongs, including lead single "Sometimes," which almost drowns under its own weight and speed, and the title track, a celebration of love and lust that ended up giving the band a surprise stateside radio hit. But Tim Booth generally avoids Bono's melodramatics in both hushed and soaring mode, his ruminative singing sounding more like the calm reflections after energetic action, the band's quiet soundscapes a perfect combination of Eno's ear for space and vastness and the group's own abilities. Strong tracks are legion, including "One of the Three," allegedly about British hostages in Lebanon but much more accurately a sharp, harrowing meditation on Jesus and apparently meaningless sacrifice, and the low-key beauties of "Out to Get You" and "Knuckle Too Far." But the best punch is right at the end -- the heartbreaking "Lullaby," a piano-led sigh of regret and wistful hope, and "Skindiving," Booth's near-wordless keen at his most affecting, floating over the low-volume shuffle and bite of the band. ~ Ned Raggett, All Music Guide
ARTIST_ID13311
UPC00731451494321
ISRCGBF089390071
VOLUME1
SIZE_OF_FILE5262917
ASSOCIATEDISRC
LABELMercury
LABEL_GROUPUMG
GenreRock
ExplicitLyricsNo
medialabel
LP Divine Recordings
CD Mercury
CD Mercury
CS Mercury
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