Genre: Electronica
Endtroducing
DJ Shadow
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The Outsider
This Film's Crap, Let's Slash the Seats
David Holmes
Dr. Octagonecologyst
Dr. Octagon
Substances
DJ Cam
U.S.S.R. Repertoire (The Theory of Verticality)
DJ Vadim
Cold Krush Cuts/Back in the Base
Coldcut
15 Levels of Magnification
Neotropic
My Vinyl Weighs a Ton
Peanut Butter Wolf
20th Century Masters - The Millennium Collection: The Best of Eric B. & Rakim
Eric B. & Rakim
Invention
Daedelus
Vulnerable
Tricky
Danny the Dog: Original Motion Picture Soundtrack
Massive Attack
Rebirth of a Nation
Public Enemy
Donuts
Jay Dee
Greatest Hits: Why Try Harder
Fatboy Slim
Who Sampled This?
Rob Swift
Best Kept Secret
Ultramagnetic MC's
Jackals and Vipers in Envy of Man
Sixtoo
2K7
Dan the Automator
Fandam Plus
El-P
Rhythm Science
DJ Spooky
Blue Lines
Dummy
Portishead
Maxinquaye
ISDN
The Future Sound of London
Dead Cities
Endtroducing...
U.S.S.R.: Life from the Other Side
Good Vibrations: Thirty Years of the Beach Boys
The Beach Boys
Gershwin's World
Herbie Hancock
Devil Made Me Do It [The Deluxe Edition]
Paris
Songs from the Labyrinth
Sting
Zombie Live
Rob Zombie
Complete Greatest Speeches & Moments
Various Artists
DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin incidentalia. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle Read More