Bill Callahan last graced us as (Smog) in 2005 with the graceful and utterly beautiful country drenched A River Ain't Too Much to Love. A change was apparent when the Diamond Dancer EP appeared earlier in 2007 with its funky basslines and raggedy fiddle driving above a chorus of female backing vocalists. It was still him -- that voice is unmistakable -- but there was such a reliance on formal structure and texture, and on the notion of rhythm being placed right up front. It was almost funk and western. Callahan may have had a lo-fi aesthetic, and dug himself into it deeply, long before most had even toyed with it, but on Woke on a Whaleheart Read More